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Recommended by Eugene O'Neill Theater Center

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    It is the Eugene O'Neill Theater Center's pleasure to recommend Jami Brandili and their play BLISS (or Emily Post is Dead) as a finalist for our 2015 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 59 finalists out of more than 1,300 submissions, it is the value of the page that has allowed this work to prosper in such a competitive selection process. Brandli creates a fresh new world for classic female characters, making their story resonate from the Greeks to the 1960s to today.

    It is the Eugene O'Neill Theater Center's pleasure to recommend Jami Brandili and their play BLISS (or Emily Post is Dead) as a finalist for our 2015 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 59 finalists out of more than 1,300 submissions, it is the value of the page that has allowed this work to prosper in such a competitive selection process. Brandli creates a fresh new world for classic female characters, making their story resonate from the Greeks to the 1960s to today.

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    It is the Eugene O'Neill Theater Center's pleasure to recommend MJ Kaufman and their play Wolves Eat Elk as a finalist for our 2015 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 59 finalists out of more than 1,300 submissions, it is the value of the page that has allowed this work to prosper in such a competitive selection process. Our readers particularly responded to the poetic language of the piece and the way Kaufman plays with structure to explore two parallel, vivid worlds...

    It is the Eugene O'Neill Theater Center's pleasure to recommend MJ Kaufman and their play Wolves Eat Elk as a finalist for our 2015 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 59 finalists out of more than 1,300 submissions, it is the value of the page that has allowed this work to prosper in such a competitive selection process. Our readers particularly responded to the poetic language of the piece and the way Kaufman plays with structure to explore two parallel, vivid worlds.

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  • It is the Eugene O'Neill Theater Center's pleasure to recommend Erik Gernand and their play "The Kneeling Position" as a finalist for our 2015 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 59 finalists out of more than 1,300 submissions, it is the value of the page that has allowed this work to prosper in such a competitive selection process. Our readers found that Erik employed sharp, witty dialogue to paint complex characters and explore a timely, difficult subject.

    It is the Eugene O'Neill Theater Center's pleasure to recommend Erik Gernand and their play "The Kneeling Position" as a finalist for our 2015 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 59 finalists out of more than 1,300 submissions, it is the value of the page that has allowed this work to prosper in such a competitive selection process. Our readers found that Erik employed sharp, witty dialogue to paint complex characters and explore a timely, difficult subject.