←Eugene O'Neill Theater Center

It is the Eugene O'Neill Theater Center's pleasure to recommend Lauren Feldman and their play ANOTHER KIND OF SILENCE as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially appreciated the unflinchingly lyrical language, both in English and ASL.

It is the Eugene O'Neill Theater Center's pleasure to recommend Dana Formby and their play Johnny 10 Beers' Daughters as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially appreciated the way the deft structure and nuanced, intimate writing combined in this compelling, original examination of the effects of war.

It is the Eugene O'Neill Theater Center's pleasure to recommend Steve DiUbaldo and their play Exposure as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers really responded to the specificity of the world and the tensions between the characters.

It is the Eugene O'Neill Theater Center's pleasure to recommend Jennifer Barclay and their play Danny as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers really responded to the way this play explored questions of gentrification, community, and grief across generations.

It is the Eugene O'Neill Theater Center's pleasure to recommend James Christy and their play EGYPTIAN SONG as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially appreciated the way the siblings' relationship developed over the play and how the play's intimate theatricality enriched that relationship.

It is the Eugene O'Neill Theater Center's pleasure to recommend Martyna Majok and their play Cost of Living as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially appreciated the specificity of the work's characters and the complexity of their interwoven narratives.

It is the Eugene O'Neill Theater Center's pleasure to recommend Emily Acker and their play I Am Not My Motherland as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers were especially struck by the unique structure, rhythmic writing, and simultaneous intimacy and vastness of the storytelling.

It is the Eugene O'Neill Theater Center's pleasure to recommend Anya Richkind and their play tender of you too as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially appreciated the humor and sensitivity of language in this work.

It is the Eugene O'Neill Theater Center's pleasure to recommend Mardee Bennett and their play The Reapers On Woodbrook Avenue as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially appreciated the deft ear for dialogue and admired the ambition and scope of this work.

It is the Eugene O'Neill Theater Center's pleasure to recommend David Valdes Greenwood and their play The Mermaid Hour as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one of 54 finalists out of more than 1,450 submissions, the strength of its writing has allowed this work to prosper in such a competitive selection process. Our readers especially appreciated that there are no villains in this piece, just complex characters working hard to understand each other.