←Eugene O'Neill Theater Center

It is the Eugene O'Neill Theater Center's pleasure to recommend Gabriel Jason Dean and their play Terminus as a finalist for our 2013 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Jami Brandli and their play BLISS (or Emily Post is Dead!) as a finalist for our 2015 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Brooke Berman and their play Hurricane as a finalist for our 2016 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Kara Lee Corthron and their play Welcome to Fear City as a finalist for our 2015 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Gregory Paul and their play Wetiko as a finalist for our 2015 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Ellen Graham and their play The Wave That Set the Fire as a finalist for our 2014 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Gabriel Neustadt and his play Knockout Mouse as a finalist for our 2014 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Hilary Bettis and their play DAKOTA ATOLL as a finalist for our 2014 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Jenny Connell Davis and their play Goddess of Mercy as a finalist for our 2014 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.

It is the Eugene O'Neill Theater Center's pleasure to recommend Kari Bentley-Quinn and their play The Ocean Thought Nothing as a finalist for our 2014 National Playwrights Conference. The play rose through a competitive, anonymous, multileveled selection process that took nearly nine months to execute. As one finalist out of hundreds of submissions, the strength of this play’s writing has allowed this work to prosper in such a competitive selection process.