"Get on with it." So should any author's direction be. This is Svich's strongest play since 'Guapa' or 'Hide Sky'. Regarding recent, new work, even Caryl Churchill and Conor McPherson might take notes. There are only a handful of writers that would allow this kind of open interpretation to a play's presentation and design. Directors will be hard pressed not to take advantage of it. The words, like Crystal Skillman's, demand not only attention, but your imagination. Most impressive is the simultaneous intelligence and naïveté of the story's kid. I am only allowed 100 words; you, however, have...
"Get on with it." So should any author's direction be. This is Svich's strongest play since 'Guapa' or 'Hide Sky'. Regarding recent, new work, even Caryl Churchill and Conor McPherson might take notes. There are only a handful of writers that would allow this kind of open interpretation to a play's presentation and design. Directors will be hard pressed not to take advantage of it. The words, like Crystal Skillman's, demand not only attention, but your imagination. Most impressive is the simultaneous intelligence and naïveté of the story's kid. I am only allowed 100 words; you, however, have the play.