Brent Askari holds up a mirror to a very American, very privileged class. The painful truth of our delusions is presented with wonderful humor and tenderness.This is a beautiful cry for us to see ourselves in others and to recognize the human fragility that unites us all.

Timely/timeless exploration of seeking asylum, American Exceptionalism, and what the essential components of "culture" are for any given society. A sharp satire that situates a WASPish family from Connecticut in circumstances neither they nor many Americans could ever see themselves in, though it is all realized in a way that feels frighteningly close to home. There is some satisfying and subtle world building, complicated and fully realized characters, and a satisfying ending that avoids cliches and either "happily ever afters" or unnecessary tragedy. I'd be excited to see this on its feet!

The community of National Committee readers for the 46th Bay Area Playwrights Festival advanced THE REFUGEES as a Semi-Finalist at Playwrights Foundation. We were highly engaged by the futuristic and insightful satire and critique of the advantages of privilege through comedy, effectively rendering the struggles of living as a refugee. We were moved by the familial and societal dynamics, especially relationship growth between Poppy and Salma in contrast to the rest of the family unit. We hope this play is considered for further development and investigation, and finds dedicated collaborators in this play’s journey towards production. #BAPF46