The High Priestess

by Andrew Martini

FULL LENGTH. On the eve of her sixtieth birthday, Claudia Holcomb, recently diagnosed with a fatal disease, welcomes home her estranged daughter Deirdre. While the fractured Holcomb family tentatively welcomes Deirdre back to the home she has all but disavowed, she brings with her sinister memories from the past. As the Holcomb family unearths these haunting truths, and new revelations threaten to tear apart an...

FULL LENGTH. On the eve of her sixtieth birthday, Claudia Holcomb, recently diagnosed with a fatal disease, welcomes home her estranged daughter Deirdre. While the fractured Holcomb family tentatively welcomes Deirdre back to the home she has all but disavowed, she brings with her sinister memories from the past. As the Holcomb family unearths these haunting truths, and new revelations threaten to tear apart an already broken family, Claudia, who believes that her daughter has the power to heal her, must begin to question her faith in the mysterious forces of the universe.

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The High Priestess

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  • Premiere Stages at Kean University: The High Priestess

    Premiere Stages, the professional Equity theatre in residence at Kean University, is pleased to recognize “The High Priestess” by Andrew Martini as a Semi-Finalist for the 2023 Premiere Play Festival. “The High Priestess” rose through a competitive selection process conducted by Premiere staff and a panel of outside theatre professionals to become one of 40 Semi-Finalists out of 701 submissions. The panel was particularly impressed by the play’s use of interpersonal drama to explore the sway that spiritualism can have over impressionable minds, trauma, and abuse. Our congratulations and thanks...

    Premiere Stages, the professional Equity theatre in residence at Kean University, is pleased to recognize “The High Priestess” by Andrew Martini as a Semi-Finalist for the 2023 Premiere Play Festival. “The High Priestess” rose through a competitive selection process conducted by Premiere staff and a panel of outside theatre professionals to become one of 40 Semi-Finalists out of 701 submissions. The panel was particularly impressed by the play’s use of interpersonal drama to explore the sway that spiritualism can have over impressionable minds, trauma, and abuse. Our congratulations and thanks to Andrew.

  • Elizabeth A. M. Keel: The High Priestess

    There are lots of dinner-party-gone-wrong plays, but The High Priestess swerves into a place of magic and depth. The play has so much subtlety, particularly around wealth and the way it ties marriages and people together, and the invisible struggles of motherhood. A sublime tension builds as we question what is real, and what is imagined. And I have to highlight the excellent little flashes of humanity present in each character, keeping them grounded and (maybe) forgivable.

    There are lots of dinner-party-gone-wrong plays, but The High Priestess swerves into a place of magic and depth. The play has so much subtlety, particularly around wealth and the way it ties marriages and people together, and the invisible struggles of motherhood. A sublime tension builds as we question what is real, and what is imagined. And I have to highlight the excellent little flashes of humanity present in each character, keeping them grounded and (maybe) forgivable.

Production History

  • Type Workshop, Organization Emerging Artists Theatre, Fall New Works Series, Year 2022
  • Type Professional, Organization Permafrost Theatre Collective, Year 2021

Awards

  • Premiere Play Festival
    Premiere Stages
    Semi-Finalist
    2023
  • New Works Festival
    The Garry Marshall Theatre
    Semi-Finalist
    2022
  • New American Voices Playwriting Festival
    The Landing Theatre Company
    Semi-Finalist
    2021