What a joyful read! I was drawn into the contemporary positioning of the play with accents of elevated language, song, and meta-theatrical moments that tie it back to its Much Ado influence. The farcical qualities here are presented in a way that centers people of diverse gender identities as part of the fun rather than the butt of jokes, and as a whole, it allows space for a range of casting possibilities and interpretations from actors. I loved reading it, and it would be even lovelier to see it in person.
What a joyful read! I was drawn into the contemporary positioning of the play with accents of elevated language, song, and meta-theatrical moments that tie it back to its Much Ado influence. The farcical qualities here are presented in a way that centers people of diverse gender identities as part of the fun rather than the butt of jokes, and as a whole, it allows space for a range of casting possibilities and interpretations from actors. I loved reading it, and it would be even lovelier to see it in person.