Kill 'Em With Aloha; Or, Da Big Mouth Pidgin English Play

KILL ‘EM WITH ALOHA; Or, Da Big Mouth Pidgin English Play is a coming of age story set in 1975, focusing intently on two teenagers who live on the island of Kaua’i. Manny and Janet, both come from working class local families and they navigate a clash of cultures when they befriend hippies who live in the notorious nudist colony, Taylor Camp, which squatted on disputed lands at the end of the road on the North...

KILL ‘EM WITH ALOHA; Or, Da Big Mouth Pidgin English Play is a coming of age story set in 1975, focusing intently on two teenagers who live on the island of Kaua’i. Manny and Janet, both come from working class local families and they navigate a clash of cultures when they befriend hippies who live in the notorious nudist colony, Taylor Camp, which squatted on disputed lands at the end of the road on the North Shore of the island.

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Kill 'Em With Aloha; Or, Da Big Mouth Pidgin English Play

Recommended by

  • Eugene O'Neill Theater Center: Kill 'Em With Aloha; Or, Da Big Mouth Pidgin English Play

    It is the Eugene O'Neill Theater Center's pleasure to recommend Shanti Noelani Reinhardt and their play Kill 'Em With Aloha; Or, Da Big Mouth Pidgin English Play as a finalist for our 2020 National Playwrights Conference. This particular work emerged from a highly competitive, anonymous, and multi-tiered selection process to become one of 63 finalists out of more than 1,500 submissions. This enthralling piece galvanized the hearts and theatrical imaginations of our reading teams and is fully championed by our offices. We are honored to put our enthusiastic support behind this writer and their...

    It is the Eugene O'Neill Theater Center's pleasure to recommend Shanti Noelani Reinhardt and their play Kill 'Em With Aloha; Or, Da Big Mouth Pidgin English Play as a finalist for our 2020 National Playwrights Conference. This particular work emerged from a highly competitive, anonymous, and multi-tiered selection process to become one of 63 finalists out of more than 1,500 submissions. This enthralling piece galvanized the hearts and theatrical imaginations of our reading teams and is fully championed by our offices. We are honored to put our enthusiastic support behind this writer and their ongoing contributions to the American Theater.

  • Nick Malakhow: Kill 'Em With Aloha; Or, Da Big Mouth Pidgin English Play

    Reinhardt provides such a vivid rendering of place and time with well-chosen details. I was amazed at how she was able to conjure potent sensory details just through dialogue. Manny and Janet are funny, sympathetic, and compelling central characters in this story. I was also astounded at how the rest of the sizeable ensemble was so three dimensional and complex as well. Reinhardt wrote these characters and cultural/social conflicts with kindness, generosity, and tenderness, even as they bristled against one another. The negotiation of Manny's complex, intersectional identity was, in particular...

    Reinhardt provides such a vivid rendering of place and time with well-chosen details. I was amazed at how she was able to conjure potent sensory details just through dialogue. Manny and Janet are funny, sympathetic, and compelling central characters in this story. I was also astounded at how the rest of the sizeable ensemble was so three dimensional and complex as well. Reinhardt wrote these characters and cultural/social conflicts with kindness, generosity, and tenderness, even as they bristled against one another. The negotiation of Manny's complex, intersectional identity was, in particular, poignant and beautifully handled. Theatrical, touching, and hilarious!

MANNY, 15, Filipino/Hawaiian. Skinny. Intelligent, Quick witted and funny. Struggling with his sexuality.

JANET, 15, Japanese. Slightly overweight. Manny's best friend. A big mouth who tells it like it is.

AUNTIE, early 40's, Manny's mother. A beautiful heavy-set Filipina woman. Tough as nails yet possesses a sweet smile and a generous heart. She is rarely seen without flowers in her hair and wearing bright red lipstick.

SONNY, early 40's, Manny's father. Filipino/Hawaiian. Music is his soul. He is the epitome of a Hawaiian Beachboy. He knows who he is. The world comes to him.

ALIKA, 24, Filipino/Hawaiian. Manny's older brother. Tall, handsome and fierce. What we imagine a Hawaiian warrior to be like. Suffers from PTSD from serving in the Vietnam War. He walks with a very slight limp.

RACHEL, 22, Caucasian. Hippie. Free-spirited, yet strong willed. A championship surfer.

JASON, 24, Caucasian. Hippie. A lost soul. Searching for peace after serving as a Marine in Vietnam.

*KUMU HULA KAMALANI. *Recorded Voice or Live depending on production. Male/Non Binary. The word Kumu means teacher. A Kumu Hula is a master teacher of hula.

Awards

  • Eugene O'Neill National Playwrights Conference
    Finalist
    2020
  • Quarter Finalist
    ScreenCraft Stage Play Competition
    Runner Up
    2020
  • 2nd Rounder
    Austin Film Festival
    Runner Up
    2020