Saturday Mourning Cartoons

Jessica and Benny have a falling out over whether to put their abuela, Yolanda, in a nursing home. Ultimately, Benny wins the argument, and Yolanda is sent to “el home.” When a pandemic hits and they are no longer able to go inside during visiting hours, the family is forced to confront one another while visiting her at the window. Yolanda will never find herself alone, as she is constantly in the care and...

Jessica and Benny have a falling out over whether to put their abuela, Yolanda, in a nursing home. Ultimately, Benny wins the argument, and Yolanda is sent to “el home.” When a pandemic hits and they are no longer able to go inside during visiting hours, the family is forced to confront one another while visiting her at the window. Yolanda will never find herself alone, as she is constantly in the care and presence of a special visitor. Saturday Mourning Cartoons is a play about dealing with change when everything changes at once, and mourning alone in a time of collective mourning.

Arkansas New Play Festival 2023
Bay Area Playwrights Festival 2022
Finalist Goldberg Playwrighting Prize 2022
Semi-Finalist Blue Ink Playwriting Award 2023
Semi-Finalist Premiere Stages Festival 2023

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Saturday Mourning Cartoons

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  • Premiere Stages at Kean University: Saturday Mourning Cartoons

    Premiere Stages, the professional Equity theatre in residence at Kean University, is pleased to recognize “Saturday Mourning Cartoons” by Iraisa Ann Reilly as a Semi-Finalist for the 2023 Premiere Play Festival. “Saturday Mourning Cartoons” rose through a competitive selection process conducted by Premiere staff and a panel of outside theatre professionals to become one of 40 Semi-Finalists out of 701 submissions. The panel was particularly impressed by the play’s vivid characters, beautiful and complex interpersonal relationships, and theatrical style of setting. Our congratulations and...

    Premiere Stages, the professional Equity theatre in residence at Kean University, is pleased to recognize “Saturday Mourning Cartoons” by Iraisa Ann Reilly as a Semi-Finalist for the 2023 Premiere Play Festival. “Saturday Mourning Cartoons” rose through a competitive selection process conducted by Premiere staff and a panel of outside theatre professionals to become one of 40 Semi-Finalists out of 701 submissions. The panel was particularly impressed by the play’s vivid characters, beautiful and complex interpersonal relationships, and theatrical style of setting. Our congratulations and thanks to Iraisa.

  • Dave Osmundsen: Saturday Mourning Cartoons

    With shades of "Ordinary People" and "Rabbit Hole," "Saturday Mourning Cartoons" is a sly, yet tender exploration of grief, loss, and family. I've never heard the loss of faith as articulately or poetically described as I have here. This play also begs the question: When we experience a tremendous loss, how do we trust ourselves (or those still with us) to pick up the pieces? Even at their ugliest moments, I loved spending time with Reilly's characters, and wanted to see them through to the end of their healing journey. A gorgeous play that I can't wait to see!

    With shades of "Ordinary People" and "Rabbit Hole," "Saturday Mourning Cartoons" is a sly, yet tender exploration of grief, loss, and family. I've never heard the loss of faith as articulately or poetically described as I have here. This play also begs the question: When we experience a tremendous loss, how do we trust ourselves (or those still with us) to pick up the pieces? Even at their ugliest moments, I loved spending time with Reilly's characters, and wanted to see them through to the end of their healing journey. A gorgeous play that I can't wait to see!

  • Nilsa Reyna: Saturday Mourning Cartoons

    I loved the journey this play took us on as we met the family, learned about their struggles, and witnessed their vulnerabilities. The passage of time was handled deftly as we reached the climax of the play. The ending contained one of the most beautiful moments in the play.

    I loved the journey this play took us on as we met the family, learned about their struggles, and witnessed their vulnerabilities. The passage of time was handled deftly as we reached the climax of the play. The ending contained one of the most beautiful moments in the play.

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All Latine/x cast. Roles for Latina women-20s, 50s, 70s/80s

Marta: 50s, Latina. Plump. Glasses. Long Beautiful Hippie Hair. A mother. A daughter. A no-nonsense, says ‘fuck’ as a way of bridging two words kind of woman. Owner of ‘Sientate Couch and Furniture Emporium.’

Jessica: 29. Latina. Marta’s daughter. A sister. A nurse. Quiet in her own way. Terminally single. Her grandmother calls her “Yessica”

Yolanda/ Abuela: 80s. Latina. Does not speak English. Used to speak Spanish. Struggles to speak anything due to a stroke. A grandmother. A mother. A source of strength. Still ‘with it’ despite what her family thinks.

Benny: 32. Latino. A brother. A son. A grandson. Compared to Jessica, he gets away with murder. Never going to settle down. Not mad about it.

Marty: A patron Saint. Benny and Jessica’s little brother. He left his physical body before the play starts. He will always be 25 years old. He was really into Batman.