WE ARE BLOOD

by Ryan Bernsten

William Jewell College (University Production, 2024)
ScreenCraft Stage Play Competition (Finalist, 2023)
Jewish Theatre Project Play Competition (Semifinalist, 2023)
Olathe Civic Theatre Association (Spotlight Series Developmental Production, 2023)
Angels Theatre Company (Reading, 2023)
CoverFly RedList (#1 Horror Stage Play, 2022)
Ashland New Play Festival (Semifinalist, 2022)
Kansas City Public Theatre...

William Jewell College (University Production, 2024)
ScreenCraft Stage Play Competition (Finalist, 2023)
Jewish Theatre Project Play Competition (Semifinalist, 2023)
Olathe Civic Theatre Association (Spotlight Series Developmental Production, 2023)
Angels Theatre Company (Reading, 2023)
CoverFly RedList (#1 Horror Stage Play, 2022)
Ashland New Play Festival (Semifinalist, 2022)
Kansas City Public Theatre (Theatre Lab, 2021)
Northwestern University (Faculty Reading, 2020)
Austin Film Festival (Semifinalist, 2020)
Rave Theatre Festival (Finalist, 2020)
Kansas City Script Circle (2020)
University of Oxford (Workshop, 2019)

  • Inquire About Rights
  • Recommend
  • Download
  • Save to Library

WE ARE BLOOD

Recommended by

  • Mike Rice: WE ARE BLOOD

    Ryan Bernsten's "We Are Blood" is a frightening and engaging tale of a dysfunctional family with dark secrets. The characters are fleshed out and compelling. The conflict is compelling. And the ending satisfies. I too look forward to seeing this play getting staged.

    Ryan Bernsten's "We Are Blood" is a frightening and engaging tale of a dysfunctional family with dark secrets. The characters are fleshed out and compelling. The conflict is compelling. And the ending satisfies. I too look forward to seeing this play getting staged.

  • Jessie Salsbury: WE ARE BLOOD

    Had the privilege of watching this as part of KC PUBLIC’S theatre lab series. The audience was engaged and holding their breath in the final scenes. Ryan is an exceptional story teller and I look forward to a fully realized production of this glorious play. There is a lot for actors and technicians to mine in this script for inspiration.

    Had the privilege of watching this as part of KC PUBLIC’S theatre lab series. The audience was engaged and holding their breath in the final scenes. Ryan is an exceptional story teller and I look forward to a fully realized production of this glorious play. There is a lot for actors and technicians to mine in this script for inspiration.

  • Beau Ryan McCoy: WE ARE BLOOD

    A horror play in the vein of Ari Aster's 'Hereditary', Bernsten manages to take the tired tropes of 'family drama' and twist it into something both exquisitely haunting while at the same time, deeply moving. That idea of being hunted by your past is disturbing on any number of levels but to then couple it with deep-seated feelings of inadequacy, misdirection, loneliness, and isolation... a play that by the end might read as 'improbable' to some feels anything but. That the only way to overcome one's circumstances is by transcending them.

    A horror play in the vein of Ari Aster's 'Hereditary', Bernsten manages to take the tired tropes of 'family drama' and twist it into something both exquisitely haunting while at the same time, deeply moving. That idea of being hunted by your past is disturbing on any number of levels but to then couple it with deep-seated feelings of inadequacy, misdirection, loneliness, and isolation... a play that by the end might read as 'improbable' to some feels anything but. That the only way to overcome one's circumstances is by transcending them.

Character Information

Kathleen - (female, late 40s-50s) a widow. a socialite. a skeptic.
Raymond - (male, 20s) a graduate. a disappointment. a desperate believer.
Nance - (female, late 40s-50s) a zealot. a freethinker. a host.
Lydia - (female, 20s) a daughter. a harlot. a conjurer.

Gran - (female, 80s) a secret.

The actor playing Nance may also play Gran.
  • Kathleen
    a widow. a socialite. a skeptic.
    Character Age
    40s-50s
  • Raymond
    a graduate. a disappointment. a desperate believer.
    Character Age
    20s
  • Nance
    a zealot. a freethinker. a host.
    Character Age
    40s-50s
  • Lydia
    20s, a daughter. a harlot. a conjurer.
    Character Age
    20s
  • Gran
    a secret
    Character Age
    50s-80s

Development History

  • Type Reading, Organization Kansas City Public Theatre, Year 2021
  • Type Reading, Organization Northwestern University, Year 2020
  • Type Workshop, Organization University of Oxford, Year 2019

Production History

  • Type University, Organization William Jewell College, Year 2024
  • Type Workshop, Organization Olathe Civic Theatre Association, Year 2023

Awards

  • Semi-Finalist
    Ashland New Plays Festival
    Semi-Finalist
    2022
  • Austin Film Festival Second Rounder
    Semi-Finalist
    2020
  • Corkscrew Theatre Festival
    Semi-Finalist
    2020
  • Rave Theatre Festival
    Finalist
    2020