Fable

by Doug DeVita

FULL LENGTH, 63 pages. For sample pages or information about licensing / purchase visit Next Stage Press:https://www.nextstagepress.com/fable/

SEMI-FINALIST, Eugene O'Neill Playwrights Conference 2021
One of the Top Ten plays on Ken Davenport's "Producer's Pick List," 2019.

“I think it is absolutely brilliant. It was fascinating to me because of course I was a part of it, but it was the appeal that 'Gypsy" has...

FULL LENGTH, 63 pages. For sample pages or information about licensing / purchase visit Next Stage Press:https://www.nextstagepress.com/fable/

SEMI-FINALIST, Eugene O'Neill Playwrights Conference 2021
One of the Top Ten plays on Ken Davenport's "Producer's Pick List," 2019.

“I think it is absolutely brilliant. It was fascinating to me because of course I was a part of it, but it was the appeal that 'Gypsy" has that [Doug] capitalized on and brought forth in a very delicious way.”
– Lane Bradbury, Dainty June in Gypsy, 1959

FABLE is a play about memory, legacy, and the battle over storytelling. Who has the right to tell your story — especially when two legendary show business sisters remember it differently?

June Havoc was famously antagonistic about GYPSY, the Broadway musical her sister, Gypsy Rose Lee, called her legacy. But in FABLE, a fable about the making of that musical fable, their sisterly bond is tested in a mounting clash of fiction and truth. As June — now aging and confronting her own mortality – relives rehearsals, dressing rooms, and backstage conflicts, she fights to reclaim her narrative before it’s rewritten forever.

Developed at ESPA/Primary Stages (with Rogelio Martinez), Davenport Playwrights Workshop (with Eric Webb), and in workshops with playwright Karen Hartman.

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Fable

Recommended by

  • Greg Burdick: Fable

    I recently had the privilege of seeing freeFall Theatre’s stunning production of FABLE in St. Petersburg, FL. DeVita’s intimate familiarity with the long-standing sibling struggle of sisters June Havoc and “Gypsy Rose Lee” is plainly apparent in this mesmerizing homage. Seeing June at three key stages of her life: bright eyed child prodigy, shrewd negotiator and holdout, and then remorseful and bitter aging performer eclipsed by stolen stardom, is exploited beautifully in this charging drama.

    I recently had the privilege of seeing freeFall Theatre’s stunning production of FABLE in St. Petersburg, FL. DeVita’s intimate familiarity with the long-standing sibling struggle of sisters June Havoc and “Gypsy Rose Lee” is plainly apparent in this mesmerizing homage. Seeing June at three key stages of her life: bright eyed child prodigy, shrewd negotiator and holdout, and then remorseful and bitter aging performer eclipsed by stolen stardom, is exploited beautifully in this charging drama.

  • Tom Rowan: Fable

    It takes confidence to write dialogue for iconic figures from theatre history like Merman, Robbins, and Laurents; DeVita pulls it off with grace and an insider's savvy. The achievement here is that he corrects some of the musical's misrepresentations of Havoc's story while still celebrating its legendary power. All done with great ingenuity and economy; a cast of just seven manages to evoke the bustle and grandeur of 1959 Broadway.

    It takes confidence to write dialogue for iconic figures from theatre history like Merman, Robbins, and Laurents; DeVita pulls it off with grace and an insider's savvy. The achievement here is that he corrects some of the musical's misrepresentations of Havoc's story while still celebrating its legendary power. All done with great ingenuity and economy; a cast of just seven manages to evoke the bustle and grandeur of 1959 Broadway.

  • Emma Goldman-Sherman: Fable

    A stunning and beautifully told homage to June and also to Gypsy, Rose, Ethel, and Arthur and Jerry, to Broadway, the old days, the bright lights and the dreams, Fable is also a wise-cracking, rib-splitting, tough-as-nails tour-de-force with great roles for women. I would love to see this staged. What is it about us humans that makes us want to be able to control our own narratives? Wonderful work that I highly recommend.

    A stunning and beautifully told homage to June and also to Gypsy, Rose, Ethel, and Arthur and Jerry, to Broadway, the old days, the bright lights and the dreams, Fable is also a wise-cracking, rib-splitting, tough-as-nails tour-de-force with great roles for women. I would love to see this staged. What is it about us humans that makes us want to be able to control our own narratives? Wonderful work that I highly recommend.

View all 50 recommendations

Development History

  • Type Reading, Organization Genesis Rep / Soar Productions, Year 2022
  • Type Reading, Organization Soar Productions LLC, Year 2020
  • Type Workshop, Organization Davenport Theatrical / Playwrighting Workshop with Eric Webb, Year 2019
  • Type Workshop, Organization ESPA / Primary Stages Class with Rogelio Martinez, Year 2017
  • Type Workshop, Organization Writers Workshop with Karen Hartman, Year 2014

Production History

  • Type Professional, Organization freeFall Theatre, St. Petersburg FL, Year 2024

Awards

  • Semi Finalist
    Eugene O'Neill Playwrights Conference
    2021
  • Producer's Pick List, Top Ten Play
    Davenport Theatrical
    2019